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Thursday, March 22, 2012

Ebook Free They All Saw a Cat, by Brendan Wenzel

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They All Saw a Cat, by Brendan Wenzel

About the Author

Brendan Wenzel is an illustrator based in Brooklyn, New York. A graduate of the Pratt Institute, his work has appeared internationally in children's books, animations, and magazines. They All Saw a Cat is his debut as both author and illustrator.

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Product details

Age Range: 5 - 6 years

Grade Level: Preschool - Kindergarten

Lexile Measure: AD310L (What's this?)

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Hardcover: 44 pages

Publisher: Chronicle Books (August 30, 2016)

Language: English

ISBN-10: 1452150133

ISBN-13: 978-1452150130

Product Dimensions:

9.5 x 0.5 x 11.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

303 customer reviews

Amazon Best Sellers Rank:

#2,481 in Books (See Top 100 in Books)

This book is really amazing. I'm a sucker for new picture books for my 3.5 year old son. I prefer books with at least a subtle message of social awareness. This cat book we read for the first time tonight and my son immediately wanted to read it again. The words are very simple, but there is a story. The phrasing is repetitive, which is nice for my son because he likes to contribute and quickly figured out the pattern, if you can even call it that and recite the story. The illustrations really make the book. During the first reading, it was hard for my son to always see that each depiction was (really, I promise!) the cat. The message here is that a single being appears different depending on the perspective of the viewer. It's a really lovely message for young children done in a brilliant, simple, engaging way. This is one of my new favorites.

I am a retired early childhood art teacher. Every illustration in this book stands alone as a piece of art while serving as a wonderful manual to encourage young minds to enjoy and hone their natural observation skills. The story demonstrates without preaching, the fact that every pair of eyes sees the world in their own different way (even their peers). It may also be your kid's first zoology book, since it accurately shows the difference in each animal's capabilities of vision and sense perception. In clear and unfussy language the child gets to travel above ground, underground, fly a bit and go underwater. They will want to do that many times.

It’s funny. Unless you’re a teacher or librarian, a grown adult that does not work or live with children will come into very little contact with picture books. Then, one day, they produce a few kids and BLAMMO! They are shot into a world they haven’t visited since they were young themselves. They grab frantically at the classics, discover that a lot of them don’t work with very very young children (since when did “Horton Hatches the Egg” have so many words?!?), and then occasionally turn to the experts for help. And why? Parents’ reasons are not united on this front. Some read to their kids to instill a love of reading. Others to build little brains. Others to simply fill the long hours of the day. Occasionally a parent will also use a book to teach some kind of a lesson. If the parent is unlucky they will get stuck with a book sticky with didacticism (an unpleasant book that sucks all the joy out of the reading experience). But if they are lucky (or they are in the hands of a capable professional) they might find just the right book, teaching just the right lesson. Here’s an example: Let’s say you wanted to teach a kid empathy or how our perceptions change depending on our own experiences and who we are. How do you show that in 32 pages? Well, you could pick up some cloying, toxic dribble that overuses words like “hugs” and “friendship”. Nine times out of ten, that’s what’s going to happen. Or, if you are a clever parent, you pick up a book like “They All Saw a Cat”. It looks at first glance like it’s just about a cat. Delve a little deeper and you’ll find it about science and art and perception and empathy. And it does it all with very simple sentences, repetition, and a lot of white backgrounds. Not too shabby. Not too shabby at all.“The cat walked through the world, with its whiskers, ears, and paws . . .” In that walking it is seen. It is seen by a child, a dog, and a fox. It is seen by a fish, a mouse, and a bee. It is seen by a bird, a flea, a snake, a skunk, a worm, and a bat. And what's important is that this “seeing” changes with every creature. For mice and dogs, the cat is perceived through the lens of their own interactions with it. For worms and bats the cat is only visible through the ways in which it moves through space (vibrations through the ground and the ways in which echolocation shape it). By the end we see a hodgepodge cat, a mix of how each animal sees it. Then the cat comes to the water, viewing its own reflection, “and imagine what it saw?”The book this actually reminded me of the most was that old Rudyard Kipling story “The Cat Who Walked By Himself”. Unlike that tale we never really get this book from the cat’s perspective. Indeed, the cat is often only visible when others see him. The similarity to Kipling comes with the language. That very first sentence, for example: “The cat walked through the world, with its whiskers, ears, and paws . . .” And as in the original art for that story, the cat here is often pictured from the back. There’s a lot of debate about whether or not a book written by one person and illustrated by another can ever be as strong as a book that is written and illustrated by the same artist. “They All Saw a Cat” makes a fairly strong argument that artist who are also authors are the better way to go. Wenzel’s sentences are so perfectly layered here. If anything, they match the personality of a cat. There aren’t many words, true. But the measured tone is at once soothing and scintillating. I liked how the book broke up the animals. The first three are potential predators. The second three are potential prey. The final six are strict observers. It also ends perfectly with the best possible sentence. Not all picture books, no matter how beautiful they look, are capable of sticking their landings. This one does.In this book the publication page (where they tend to describe the artist’s process) gets a little slaphappy. It reads (and I am quoting this precisely), “The illustrations in this book were rendered in almost everything imaginable, including colored pencil, oil pastels, acrylic paint, watercolor, charcoal, Magic Marker, good old number 2 pencils, and even an iBook.” The other day I was listening to a podcast where one of the speakers speculated that including this kind of information in a book changes the adult reader’s perspective. Would I think less of this book if I found out it was done in digital ink? Possibly, though I should note that I was blown away by the art long before I ever turned to see how it was made. And while digital art is great and has its place, I’d like to see the program that replicates what Wenzel’s done here.The sheer beauty of the book is what strikes you first when you read it. Consider the two-page spread where on the left-hand side you see the cat through snake vision, and on the right-hand side you see the cat through skunk vision. The snake’s view is a vibrant shock of color, all yellows and reds and blues. The skunk’s in contrast, looks like the soft grainy sepia-tones of an old film. Maybe “Casablanca”. Put together, side-by-side, the same cat is its own opposite. But if Wenzel were constantly wowing you with eye-popping images that wouldn’t really support the narrative flow. That’s why the pacing of the book is key. Wenzel starts the book out very slowly, with lots of white backgrounds and views akin to what we see as people. The child, dog, and fox all see the cat similarly (though I loved the oversized bell around its neck, indicating the fox and dog’s superior sense of hearing through a visual medium). The fish is the first moment you start to separate from human visuals. The cat’s large, yellow eyes are 80% of the two pages. But it is the mouse’s Basquiat-esque view of the cat that steals the show. The red background, and the cat all teeth and claws, and terrifying eyes is a far cry from the cuddly creature at the start of the story. It’s also the moment when the child readers come to realize that perception is personal.An interesting criticism of this book is linked precisely to the more science-y aspects of the text. One of the commenters on a blog post I wrote, that included this book, said that, “I desperately wanted some nice science-y back matter to tell us how and why different animals see the cat the way they do. Sure, we can go OH, this animal must be colorblind! This animal ‘sees’ by sonar! But c’mon, throw us an edu-bone here. It felt like such a missed opportunity.” This is an interesting note. We’ve grown used to useful backmatter in this post-Core Curriculum world of ours. Would this book have been stronger if it had contained a science element to it? Yes and no. It would have been a real boon to teachers, you betcha, and probably to perceptive parents who could have turned it into a lesson for young readers. If I had to guess I’d say the reason it wasn’t done may have had something to do with the fact that Wenzel is mixing his fact and fiction here pretty closely. Each animal is “seeing” as it would in the wild, but that is not to say that the art is by any means scientific. The cartoonish quality to the animals (no better exemplified than in the mouse’s bulbous eyes) doesn’t hold up to close scrutiny. I would have very much liked notes on the accuracy of the art, but I can understand the fear of asking the reader to take the work too seriously. I don’t necessarily agree, but I understand it.How do you discuss this book with kids? Well, you might read it to them, start to finish, and then ask them which picture shows what the cat really looks like. When they select (some will go with the human view but I’ve no doubt a couple will prefer the dog or bird p.o.v.s) you then tell them that actually all the pictures in this book are true. And if you really want to blow their little minds, you tell them that there’s a good chance that the way you see the world isn’t the same way the person next to you does. Everyone, everywhere sees the world different from his or her neighbor. Is it any wonder we have problems? The solution is to try and see things from another person’s view. Now, if the kids think you’re speaking literally or figuratively, it doesn’t really matter. You’ve planted the seed. Or, rather, the book has.Let us do away with the notion of “cat people” vs. “dog people”. This book is for “people”. End of sentence. And if I got a little crazy in my first paragraph here, filling you in on my view of world peace via picture books, you’ll understand when you read this book. That tired old phrase to “walk a mile in someone else’s shoes” makes no sense to a kid. But travel a page through another animal’s eyes? There’s never been a better fictional picture book that allows you to do this. If we all see something as simple as a cat this differently, what else might we not see the same? It’s a treat to eye, ear, and mind, but don’t forget. We’re all going to see this book through our own lenses. What will your kids see when they look at it? Only one way to find out.For ages 4-7

I got this for my 5 year old as a gift to celebrate his first day of kindergarten. He's all about trucks and dinosaurs, but when I read this he became fully absorbed by the different perspectives of each creature encountered by the cat. I had to throw in some extra lines to keep the story going, but what a lovely picture book! I wanted to share with my son that out in the big world everyone has a story and different ways of seeing and experiencing things. I'm very glad this book helped me deliver that message. Thanks Brendan Wenzel!

I read this book to a group of pre-schoolers ( ages 3-5-ish) and they were entranced...Many of them seemed to understand that it was different points of view, same cat: some thought ( out loud, as kids this age do!) that it was different cats...but all "got" it. I was surprised that these kids knew about skunks (nothing like that here in NZ!) but they all resonated! And the illustrations are pure genius...they will be adding that book to their library ( I ignored hints that I should leave my copy behind: I want the continuing joy of reading it to my grandchildren!)

Enchanted by the pre-publication book trailer, I ordered 6 copies of this book. One for my library and the others as gifts for children. Lucky kids!The poetic words and beautiful illustrations create a magical study on perception, point of view, curiousity, and imagination.The publisher, Chronicle Books, offers a free activity kit and discussion to download. Don't miss it! There is drawing, a cat mask, coloring, and a pin the collar on the cat game.[...]

this book has beautiful artwork and shows the cat looking different from a bunch of different animals' perspectives. It gives me 2.5yro something to think about and she loves the colors. Since the words are relatively repetitive (the dog saw a cat...the bat saw a cat...), it's easy for her to "read" it herself and study each word.

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Sunday, March 18, 2012

Download Ebook Redefining Airmanship (Aviation)By Tony T. Kern

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Redefining Airmanship (Aviation)By Tony T. Kern

Redefining Airmanship offers the first concrete model of the abstract ideal of "airmanship," and gives the reader step-by-step guidance for self-appraisal and improvement in the areas of flight proficiency, teamwork, and good judgment in crisis situations. The author, Major Tony Kern, draws on his extensive flight and crew-training experience in the U.S. Air Force, but his model is invaluable for all pilots, whether military, recreational, or commercial.

"Kern's work is a breakthrough, and a benchmark."
--John J. Nance, author of Blind Trust

  • Sales Rank: #363891 in Books
  • Brand: Anthony T Kern
  • Published on: 1997-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.44" w x 6.40" l, 1.84 pounds
  • Binding: Hardcover
  • 463 pages
Features
  • Redefining Airmanship

Review
Kern hits the mark with the focus on individual responsibility and airmanship. . .'' There is no improvement like self-improvement, and Airmanship'' hits the critical points on complacency, discipline, and pilot judgment''

(Airmanship) is a unique work, which, perhaps for the first time, begins to define the professional ethos of being an airman.''--Nance, John J. "Author of Blind Trust and ABC News Aviation Consultant "

From the Back Cover

Here, for the first time, is a systematic model of professional airmanship, for all pockets of the aviation community. With this book as a guide, you too will develop the "right stuff" for today's complex world of flight. Step by step, system by system, the book shows you how to:

  • Use history's greatest flyers as role models--and follow in their footsteps
  • Define standards and measurements for success
  • Understand specific aspects of airmanship, using case studies and lessons learned
  • Handle peer pressure, lack of time, and stress
  • Reduce errors and aid decision-making
  • Manage risks
  • Evaluate your own performance
  • Illuminate a path for self-improvement
  • Advance your career
Redefining Airmanship gives you a holistic model of good airmanship and shows you how to use that model to measure and improve your performance. Using the book's Individual Improvement Plan, you can increase your confidence. . .develop flight discipline. . .understand your aircraft. . .know your crew's strengths and weaknesses. . .be an effective team manager. . .and achieve your personal best as an airman.

About the Author
Aviation Human Factors authority, former U.S. Air Force Lt. Colonel

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Sunday, March 11, 2012

Get Free Ebook HOMO, 99 and 44/100% NONSAPIENS: Revised With New IntroductionBy Gerald B Lorentz

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A revised edition of the 1985 underground work by Gerald B. Lorentz (October 1915 - April 2007) featuring a new introduction and afterword. One of his last public announcements was about this reissue of his life's work. “History clearly proves that man is a plunderer, a killer, and a hypocrite.He cannot face the reality of his own despicable nature. Even when he kills he fancies that he performs a service to God or country. Capitalism satisfies all the predatory instincts natural to man in the economic purlieu; that is, satisfies his need to plunder, prey, defend; and to mask his predations with euphemisms and hypocorisms... Predation is normal and natural for the human species. Capitalists, actors, athletes, and rock musicians do not think of themselves as plunderers of the fruits of the labors of working people, nor do union workers think of themselves as plundering from nonunion workers. Plundering has always been perfectly natural and ethical for the human animal, only the rules governing predation change.” This new edition is published jointly by APOP Records and Underworld Amusements.

  • Sales Rank: #179070 in Books
  • Published on: 2013-07-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .96" w x 6.00" l, 1.25 pounds
  • Binding: Paperback
  • 424 pages

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Friday, March 2, 2012

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Earth's Dynamic Systems (10th Edition)

From the Back Cover

There are two major pathways for the flow of energy and matter on Earth: (1) the hydrologic system—the circulation of water over Earth's surface and through its atmosphere powered by energy from the Sun, and (2) the tectonic system—the movement of material powered by heat from Earth's interior. These two unifying themes form the backbone of Earth's Dynamic Systems, providing a logical, well-crafted, spectacularly illustrated introduction to physical geology. NEW TO THIS EDITION: GeoLogic—Geologists have a unique way of "reading" the landscape and rocks. These essays illustrate in words and images how modern geologists interpret the world around us. Updated and Enhanced Student CD-ROM: Includes dozens of high-quality animations, photographs, and videos. Guided Tours: These animated tours of Earth's major landforms illustrate key concepts in a way the printed word and still pictures cannot. Slideshows: Written and photographed by the authors, the slideshows expand on the text with additional photographs and explanations. Videos and animations: Gathered from geologists around the world, these illustrate both fundamental concepts and how modern geologists study Earth

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Excerpt. © Reprinted by permission. All rights reserved.

Planet Earth was first photographed from space more than 30 years ago by the astronauts of the Apollo mission. Since then a variety of satellites have given us supernatural eyes in space. With sophisticated sensors we can "see" through clouds, observe the surface features on the ocean floor, and selectively image temperature, water vapor, ocean currents, and even patterns of ancient river systems now buried beneath the sand of the Sahara Desert. New technology has permitted us to penetrate deep into the interior of our planet and X ray its internal structure. We can now "see" hot material in the interior moving in huge convection cells, creating ocean basins, volcanic islands, and mountain systems. With this era of enlightenment comes an increased awareness of how our planet is continually changing and a fresh awareness of how fragile it is. Earth is a finite sphere with limited resources, so it is impossible for the population to grow indefinitely. We may find more oil, gas, and coal by improved detection methods, yet nature requires more than a million years to concentrate the oil now consumed in only one year. We have created nuclear waste, yet are unsure how to dispose of it safely. What can we do about the fact that rivers today transport more agricultural and industrial waste than natural sediment? Is greenhouse heating real? The answers to these questions can be found only if we understand Earth's dynamic systems with their many interdependent and interconnected components. There are two major pathways for the flow of energy and matter on the planet: (1) the hydrologic system—the circulation of water over Earth's surface and through its atmosphere powered by energy from the Sun, and (2) the tectonic system—the movement of material powered by heat from Earth's interior. Everything discussed in this book is related to these unifying themes. The tenth edition of Earth's Dynamic Systems introduces these systems and will help students to understand and participate in the solutions to some of these problems. It is written for students taking their first college course in physical geology at both two- and four-year schools. This Edition This book was significantly revised to make it a more effective learning tool. We have reinforced the themes of the book by dividing it into four parts. In Part I, we discuss Earth's materials and how they are created by geologic systems. In Part II, we discuss the hydrologic system by examining subsystems chapter by chapter. Plate tectonics is the theme of Part IV, with separate chapters on divergent, transform, and convergent boundaries, as well as mantle plumes—the subsystems of the tectonic system. In Part IV, we look back and apply the principles learned to see how Earth's resources formed and just how different our home in space is when compared with other planets. The focus on the hydrologic and tectonic systems is captured in the cover illustrations, which symbolize the energy sources—heat from the Sun and heat from Earth's interior—that drive our dynamic planet. Our major new thrust is the introduction of a series of essays that illustrate the scientific method. We call these summary messages Geologic, as we attempt to show the logic behind using simple observations to come to important conclusions about the way Earth works. We have designed new illustrations to take students from "seeing" to "understanding." The State of the Art sections have been retained. We attempt to distill the important techniques used in modern geology into a few words and couple them with some of the most spectacular and informative images available today. In these short essays, we show how geologists come to understand the world around us, emphasizing not just "what we know" but "how we know" it as well. We strive to present a new perspective in visualizing geology by using panoramic photographs of the landscape. Panoramic photographs begin each chapter and provide the student with a visual summary of the theme of the chapter. All chapters were updated and checked for accuracy. Special attention was focused on improving the illustrations so that the student can more fully experience the excitement and satisfaction of visualizing and understanding geology. We have traveled over much of North America and many other parts of the world—including Brazil, Antarctica, Iceland, Mexico, China, Tibet, Oman—to take photographs specifically for this book. Photographs not otherwise credited were taken by W Kenneth Hamblin. An important element in this edition is the use of new digital topographic maps. The recent release of new data on seafloor and continental topography by defense and other governmental agencies has opened a new window through which we can see the continents and seafloor in a more accurate and detailed fashion than ever before. These colored, shaded relief maps are a visual and intellectual feast for those who carefully study them. The instructor support package has been upgraded since the last edition. In addition to the slides and transparencies to support your lectures, you'll also have electronic access to all the illustrations, most of the photographs from the text, and dozens of additional photographs and video clips via an Instructors Resource CD-ROM. To the Student How to Use This Book One of the most difficult problems you face in beginning a course in a new subject is to identify fundamental facts and concepts and separate them from supportive material. This problem is often expressed by the question, What do I need to learn? We have attempted to overcome this problem by presenting the material in each chapter in a manner that will help you recognize immediately the essential concepts. Outline of Major Concepts. To help you focus on the key points, we have identified them at the beginning of each chapter under the title of "Major Concepts." Thesis Statements. A brief statement of the main idea of each section is in a colored box. Guiding Questions. Experience has shown that the most successful students are those who read with a specific purpose-those who read to answer a question. Consequently, we have developed guiding questions that are presented in the margins next to the appropriate text material. The questions are intended to guide you in your study, stimulate your curiosity, and help focus attention on important concepts. Illustrations. You will find that careful study of the figures and captions is one of the most useful methods of reviewing the content of the chapter. Key Terms. Important terms are printed in bold type. In the Key Terms section at the end of each chapter, the terms are listed alphabetically, with the number of the page on which each appears. These terms are also defined in the glossary at the end of the book. Review Questions. These discussion questions are intended to reinforce the main concepts and stimulate further investigation by pointing out some of the intriguing questions on which scientists are working. Illustrated Glossary. At the end of the book there is an illustrated glossary defining approximately 800 important geologic terms. Many of the terms are accompanied by an illustration that will help in visualizing the definition and meaning of the term. This glossary, if propeily used, can be a convenient and significant aid in learning the basic vocabulary of geology. World Wide Web/CD-ROM Tools. Prentice Hall has published two unique electronic items to support your studies: the Earth's Dynamic Systems Companion Web Site (www.prenhall.com/hamblin) and a CD-ROM (packaged with the book). These resources are designed to help you organize, prioritize, and apply what you learn from the text and in class. The Web site hosts a variety of review materials, including multiple choice questions; interpretation of maps, images, and photographs; and critical thinking questions linked to external sources of geologic data and images. The quizzes can be automatically graded to help you gauge your progress. To help focus your efforts further, refined feedback is supplied for right and wrong answers. It also provides you with a host of topic-specific Internet addresses and search terms to help you utilize this vast new source of information. On the CD you will find dozens of images, videos, and animations. Together with Eclectic Multimedia and Chalk Butte, Inc., we have developed Exploring Earth, an interactive map of the world that let's you "fly" across the globe, zooming in and out to see details or the regional context. We have also developed a series of narrated Guided Tours to illustrate how geologic systems have shaped every aspect of the planet.

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Product details

Series: EARTH'S DYNAMIC SYSTEMS

Paperback: 816 pages

Publisher: Prentice Hall; 10 edition (July 27, 2003)

Language: English

ISBN-10: 0131420666

ISBN-13: 978-0131420663

Product Dimensions:

8.5 x 1.1 x 10.9 inches

Shipping Weight: 3.8 pounds

Average Customer Review:

3.4 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#1,023,728 in Books (See Top 100 in Books)

The author of this book was approached a few years ago by the publisher to make a new edition of the book. But rather than making another unneeded edition to bring the publisher more profits the author decided to make the entire book available online. You can find this book for free by googling the title. I liked it enough that I bought a cheap hard copy. Overall this is an excellent book on geology and is filled with lots of information, illustrations, and explanations. It has a good glossary, and index which makes looking up topics quick and easy.Update: It looks like the original author Dr. Hamblin has since passed away and this book is now once again being published under the new name Dynamic Earth. Unfortunately, this also means that the free website which Dr. Hamblin had setup is no longer available. However, I am glad to see this book continue to be published since it is an excellent of not the best introduction to college level geology.

I'm kind of an amateur geology junkie. I have many geology textbooks that I read because the subject interests me. (I am a nurse. I have a BA and two Masters in but they are in the biological sciences and in education.) This is my favorite geology textbook by far. The illustrations and photographs are beautiful and detailed. They really do provide a different way to learn the text, one that complements the text but is strictly visual. This book has many wonderful and detailed plate maps, ocean floor and continental surface maps with geological ages noted. You can easily see how mountain ranges on different continents were once together. The text itself is clear and leads you point by point toward the concept without a lot of effort. It's highly readable and if I were a student, this is the one I would want to "have" to read. A surprising number of other textbooks use circular definitions; they explain terms using the term in the explanation, which is of no use whatsoever. It's really surprising how often that is done. I didn't find it much in this text. The authors are very detailed in the way they cover each subject. There are several chapters on plate tectonics, for example, instead of just one long broad explanation in one chapter. There are several chapters on the hydrologic cycle, entire chapters on weathering, glaciers, rivers, etc. Each rock type has a chapter and an introductory chapter on Minerals. Really by far my favorite text.

I have referred to this book several times. Useful for introductory and intermediate work.

Haven't used it much, but I did look through it. Seems excellent value for money. Just that these days, like, doah, it's a book. When I'm somewhere else, it's quicker to google.

OK, but very boring and not engaging.

great

ordered multiple cds did not work

older than i thought it would be, not really worth the price, very used, stains everywhere, but good that no extra notes inside

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